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It was used for Pro Tools only control surfaces such as the Digidesign Control 24 and ProControl as well as the Avid C24 and the ICON line. It is now part of the MCU Mackie Control Universal protocol.ĮuCon: Originally developed by Euphonix, EuCon is a high speed ethernet control protocol which carries control information for faders, knobs and displays between control surfaces and whatever the main EuCon enabled application is in focus on your computer, such as Pro Tools.ĭiginet: The Diginet protocol isn’t used in any control surfaces currently available on the market. HUI (Human User Interface Protocol) and MCU (Mackie Control Universal Protocol): HUI was developed in 1997 between Mackie and Digidesign for use with non-Digidesign control surfaces for Pro Tools. All perform slightly differently depending on the DAW you use: There are a number of protocols that most control surfaces use to interface the hardware between a DAW you need to know about. Not All Control Surfaces Are Made EqualĮven though most modern DAW control surfaces appear similar in form and function, there is an important difference under the hood that you need to aware of that could cause you compatibility issues.
CONTROL SURFACE PRO TOOLS HOW TO
It doesn’t really matter what style of control surface you use, once you’ve learned how to get the most out of one in a mixing workflow there’s a good chance you’ll never go back to mousing around in a DAW. There are also some products that provide the same kind of feedback virtually via touch screen. Most controllers provide banks of motorised faders that recall their positions when switching between sessions, encoders for panning, digital scribble strips that tell us track names, solos and mutes as well as transport buttons for enabling playback and record. Modern day DAW control surfaces generally provide a number of features not dissimilar to those of old school analogue consoles. What Qualities Define A Control Surface For Mixing? Mixing with two hands is for some the only way to mix as it’s a quick and intuitive way of working which is why using control surface is the preferred route for many to get the job done. Engineers that are accustomed to mixing with physical faders often perform a number of mix moves in one go such as balancing multiple tracks together to perfection in what seems like a blink of an eye, try doing that one fader at a time with a mouse. When you mix a session using just a mouse and keyboard you generally have the ability to adjust one thing at a time in your DAW such as setting a track’s fader level or pan position, what’s wrong with working this way? Let’s answer that question with another question… Have you ever watched a skilled engineer mix on a large format console or control surface? If you have then you would have noticed that the engineer was most likely using both their hands and all of their fingers to manipulate the board. While there is nothing wrong working this way there are a few workflow limitations with mixing with a mouse that some producers cannot live with. And the capability to take on any project that comes your way.Most producers and recording artists typically mix in-the-box using a mouse and keyboard.
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Plus, you can switch between applications with ease, giving you the choice to work with what you want. It’s ideal for mixing drums, vocals, dialog, sound effects, and other groupings.
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Create up to 12 custom mixer layouts and recall them to the surface at any time. With EUCON technology at its core, not only can you mix sessions using Pro Tools, Logic Pro, Cubase, and other DAWs, you can also customise the surface for your task at hand. And with the latest EUCON software, you can open and close Pro Tools Folder Tracks right from the surface, greatly speeding up session navigation.
CONTROL SURFACE PRO TOOLS WINDOWS
When using S3 with Pro Tools, the surface now fully supports ICON-favorite “Scroll to Track” and “Scroll into View” features, making it easy to scroll Pro Tools windows and bank your control surface accordingly to get to the tracks you need faster. From interacting with tracks and editing plugins, to writing automation, you get the tactile control you need to create better mixes faster – with considerably more precision than working with a keyboard and mouse. S3 combines a traditional console layout with the advancements of Avid S6, ensuring intuitive operation, regardless of your experience level. Avid S3 Control Surface for Pro Tools offers a small footprint and deep control for a better mix.īased on the award-winning Avid S6 control surface, Avid S3 delivers intelligent control over every aspect of Pro Tools and other DAWs.